Things have been very quiet on this blog for months, as I’ve been in pre/production for my short film Continental Drift. Plenty of interesting stories to tell from the process, but for now, while still in post, here’s a snippet about some of the footage we have been collecting for the project.
Most of the film is shot on Super 16mm film, however the protagonist, Adele, shoots video on her DV handycam throughout the film – a comment on how she as somebody with intimacy issues mediates her experiences through the camera, and the voyeuristic nature of being a tourist, as well as a way of getting inside her head as a character. Most of the time the footage is diagetic, inherent to the film, as video she or others is clearly shooting as part of the action. At some other particular times we are using DV footage as emotional atmospheres.
Michael Williams, our wonderful DOP, and myself went down to the bay in Melbourne last weekend to capture some sunset over the water and later the moon, both important textures in the film. Speaking of textures, some of the way the DV camera handles the light on water and other parts of the landscape is just beautiful! Who really needs all that resolution, all the time? This is ungraded, raw DV handycam footage.
Some pictures of our expedition…